{"id":25,"date":"2022-10-25T14:45:14","date_gmt":"2022-10-25T18:45:14","guid":{"rendered":"http:\/\/portfolio-pre.uqac.ca\/gabarit\/?page_id=25"},"modified":"2026-01-21T15:04:50","modified_gmt":"2026-01-21T20:04:50","slug":"communications","status":"publish","type":"page","link":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/communications\/","title":{"rendered":"Communications + publications"},"content":{"rendered":"

Publications<\/h1>\n

2024\u00a0 \u00a0\u00a0<\/em><\/h3>\n

Plus de cin\u00e9ma ! Images anim\u00e9es et effets sp\u00e9ciaux
\n<\/em>Ouvrage collectif sous la direction de Viva Paci, publi\u00e9 aux Presses de l\u2019Universit\u00e9 de Montr\u00e9al
\nTexte intitul\u00e9 La st\u00e9r\u00e9oscopie \u00e0 cadence \u00e9lev\u00e9e et le dispositif cin\u00e9matographique, dans un <\/em>uncanny valley<\/p>\n

2020\u00a0 \u00a0\u00a0<\/em><\/h3>\n

Digitalization of Society and Socio-political Issues 2: Digital, Information, and Research
\n<\/em>Ouvrage collectif sous la direction d\u2019\u00c9ric George, publi\u00e9 aux \u00e9ditions Wiley
\nTexte intitul\u00e9 Virtual Reality and Alternative Facts: The Subjective Realities of Digital Communities \u2013 <\/em>lien<\/a><\/p>\n

2019<\/h3>\n

Num\u00e9risation g\u00e9n\u00e9ralis\u00e9e de la soci\u00e9t\u00e9 et enjeux sociopolitiques 2\u00a0: num\u00e9rique, information et recherche
\n<\/em>Ouvrage collectif sous la direction d\u2019\u00c9ric George, publi\u00e9 aux \u00e9ditions ISTE
\nTexte intitul\u00e9 R\u00e9alit\u00e9 virtuelle, faits alternatifs : les r\u00e9alit\u00e9s subjectives des communaut\u00e9s num\u00e9riques \u2013<\/em> lien<\/a><\/p>\n

Communications<\/h1>\n

2025<\/h3>\n

ISEA 2025 – Focus Qu\u00e9bec, \u00ab REDSHIFT and The Abyss: Engaging the Public \u00bb
\nSeoul National University Museum of Art \u2013 S\u00e9oul (KR)
\nArtist Talk. Lien<\/a>.<\/p>\n

2024\u00a0 \u00a0 \u00a0 \u00a0<\/em><\/h3>\n

TouchIn MTL, \u00ab\u00a0DIY, makers et TouchDesigner \u00bb
\n\u00c9cole NAD\/UQAC
\nArtist talk.\u00a0Lien<\/a>.<\/p>\n

Rencontres interdisciplinaires Hexagram, \u00ab\u00a0Capter les corps \u00bb
\nAgora du c\u0153ur des sciences de l\u2019UQAM
\nArtist talk.\u00a0Lien<\/a>.<\/p>\n

2023<\/h3>\n

Dialog X, \u00ab\u00a0Scanography, Slit-Scan and Surveillance: Mediating the Self Through Marginalized Photographic Processes \u00bb
\nCulture Station Seoul 284 \u2013 Seoul (KR)
\nArtist talk dans le cadre de Unfold X.\u00a0\u00a0Lien<\/a>.<\/p>\n

ISEA2023, \u00ab\u00a0The Aesthetics of Surveillance \u00bb
\nForum des images (Paris)
\nArtist talk dans le cadre de Focus Qu\u00e9bec.\u00a0\u00a0Lien<\/a>.<\/p>\n

2022<\/h3>\n

Table ronde \u00ab\u00a0Autopsie des pipelines de production\u00a0\u00bb dans le cadre de Mutek Forum. Lien<\/a>.<\/p>\n

Discussion \u00ab\u00a0In conversation with Ahreum Lee and Louis-Philippe Rondeau\u00a0\u00bb <\/em>dans le cadre de la BIAN 2021 \u00e0 l\u2019Arsenal art contemporain.\u00a0Lien<\/a>.<\/p>\n

2021<\/h3>\n

Subverting Obsolescence<\/em>, table ronde sur l\u2019arch\u00e9ologie des m\u00e9dias anim\u00e9e par K\u00e9 Medley \u00e0 l\u2019UQAM, organis\u00e9e par Hexagram. Lien<\/a>.<\/p>\n

Composite #28, Artist talk intitul\u00e9e \u00ab\u00a0L\u2019espace comme interface musicale\u00a0\u00bb \u00e0 dans le cadre de Mutek Forum \u00e0 l\u2019espace Zu \u00e0 Montr\u00e9al. Repris comme DEMO11 \u00e0 Hexagram. Lien<\/a>.<\/p>\n

Organisation d’une s\u00e9rie de trois midi-conf\u00e9rences SUR_Exposition en lien avec Hexagram.\u00a0\u00a0Lien<\/a>.<\/p>\n

2020\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/h3>\n

Lancement en ligne du laboratoire Mimesis aupr\u00e8s de la communaut\u00e9 universitaire. Lien<\/a>.<\/em><\/p>\n

Pr\u00e9sentation intitul\u00e9e \u00ab\u00a0Mimesis\u00a0: A New Laboratory for Immersion, Interaction and Previsualisation\u00a0\u00bb<\/em> dans le cadre d\u2019ISEA 2020 (International Symposium for Electronic Art) en ligne. Lien<\/a>.<\/p>\n

Artist talk<\/em> et table ronde sur la th\u00e9matique \u00ab\u00a0Dappi<\/em>\u00a0\u00bb \u00e0 Tokyo Midtown au Japon.<\/p>\n

2019<\/h3>\n

Artist talk<\/em> et table ronde dans le cadre du DMA Colloquium au Daejeon Museum of Art en Cor\u00e9e.<\/p>\n

Artist talk<\/em> et table ronde \u00ab\u00a0Portraits de la recherche-cr\u00e9ation dans le r\u00e9seau Hexagram\u00a0\u00bb lors de l\u2019\u00e9v\u00e8nement Mutek_IMG.\u00a0\u00a0Lien<\/a><\/p>\n

Participation \u00e0 la baladodiffusion sur la recherche-cr\u00e9ation REC<\/em> ayant pour th\u00e9matique\u00a0Le \u00ab faire soi-m\u00eame \u00bb comme moteur de pratiques cr\u00e9atives autodidactes, <\/em>en collaboration avec Hexagram.\u00a0\u00a0Lien<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Publications 2024\u00a0 \u00a0\u00a0 Plus de cin\u00e9ma ! Images anim\u00e9es et effets sp\u00e9ciaux Ouvrage collectif sous la direction de Viva Paci, publi\u00e9 aux Presses de l\u2019Universit\u00e9 de Montr\u00e9al Texte intitul\u00e9 La st\u00e9r\u00e9oscopie \u00e0 cadence \u00e9lev\u00e9e et le dispositif cin\u00e9matographique, dans un uncanny valley 2020\u00a0 \u00a0\u00a0 Digitalization of Society and Socio-political Issues 2: Digital, Information, and Research … Continuer la lecture de Communications + publications<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":89,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"_links":{"self":[{"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/pages\/25"}],"collection":[{"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":12,"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":256,"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/pages\/25\/revisions\/256"}],"wp:attachment":[{"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/media?parent=25"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/louisphilipperondeau\/wp-json\/wp\/v2\/tags?post=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}