{"id":212,"date":"2020-03-04T08:46:52","date_gmt":"2020-03-04T13:46:52","guid":{"rendered":"http:\/\/portfolio-pre.uqac.ca\/michaellachance\/?page_id=212"},"modified":"2020-03-04T08:50:48","modified_gmt":"2020-03-04T13:50:48","slug":"livres-creation","status":"publish","type":"page","link":"https:\/\/portfolio.uqac.ca\/michaellachance\/livres-creation\/","title":{"rendered":"Livres &#8211; Cr\u00e9ation"},"content":{"rendered":"<h1>Roman<\/h1>\n<h2>2011<\/h2>\n<p><em>De Kooning malgr\u00e9 lui. Montauk ~ Cassino<\/em>, Montr\u00e9al, Triptyque, 279 p.<\/p>\n<h1>Proses<\/h1>\n<h2>2019<\/h2>\n<p><em>Naturalit\u00e9s. Po\u00e9sie et photographies dans le Luberon<\/em>, \u00c9ditions Interritoires, 2019, 58 p.<\/p>\n<p><em>Une \u00e9pine empourpr\u00e9e<\/em>, r\u00e9cit, Montr\u00e9al, Triptyque, coll. \u00ab\u00a0t minuscule\u00a0\u00bb, 2019, 158 p.<\/p>\n<h2>2014<\/h2>\n<p><em>\u00c9pisodies \u00e0 l&#8217;H\u00f4tel du temps<\/em>, Chicoutimi, \u00c9ditions La Peuplade, coll. \u00ab\u00a0Micror\u00e9cits\u00a0\u00bb, 2014, 262 p.<\/p>\n<p><em>La Naissance de la po\u00e9sie. Dionysos et les mines d&#8217;eau de la Provence<\/em>, (photog de Jean-No\u00ebl Carbonnel), Chicoutimi, Interritoires, 28 p.<\/p>\n<h2>2013<\/h2>\n<p><em>Louis-Pierre Bougie. Espaces chavir\u00e9s, torsions du d\u00e9sir<\/em>, essai. Avant-propos d\u2019Isabelle de M\u00e9vius (pp. 8-9), et pr\u00e9face de\u00a0Georges Leroux, \u00ab\u00a0La sc\u00e8ne de la gravure\u00a0\u00bb (pp. 17-26), Montr\u00e9al\u00a0: Les \u00c9ditions de M\u00e9vius, 228 p. ill. [<em>Louis-Pierre Bougie<\/em>, sous la direction d&#8217;Isabelle de M\u00e9vius]<\/p>\n<p><em>UNE AUTRE PLAN\u00c8TE Carnet de Finlande TOISELTA PLANEETALTA<\/em>, Chicoutimi, Interritoires, 80 p. (photog. de l&#8217;auteur)<\/p>\n<p><em>Le Cerveau en feu de M.De\u0192cartes<\/em>, Montr\u00e9al, Triptyque, 134 p.<\/p>\n<h2>2008<\/h2>\n<p><em>Corrida pour soi seul, Exercices<\/em>, Montr\u00e9al, Triptyque, 84 p.<\/p>\n<h1>Po\u00e9sies<\/h1>\n<h2>2018<\/h2>\n<p><em>Horizons liquides. L\u2019aquarelle comme \u00e9criture po\u00e9tique &amp; l\u2019Alph\u00e9e<\/em>, \u00c9ditions Interritoires, 2018, 72 p.<\/p>\n<p><em>Pantoum<\/em>, Montr\u00e9al, Triptyque, coll. \u00ab\u00a0t po\u00e9sie\u00a0\u00bb, 138 p.<\/p>\n<h2>2015<\/h2>\n<p><em>Crapaudines<\/em>, Montr\u00e9al, Triptyque, 76 p.<\/p>\n<h2>2013<\/h2>\n<p><em>Carnet de Louisiane<\/em>, \u00c9ditions Interritoires, 102 p. (photog. de l&#8217;auteur)<\/p>\n<h2>2009<\/h2>\n<p><em>[Mytism] Terre ne se meurt pas<\/em>, Montr\u00e9al, Triptyque, 168 p.<\/p>\n<h2>2007<\/h2>\n<p><em>L\u2019Inquisitoriale, Fugue solaire dans les \u00eeles et plateaux du langage<\/em>, Montr\u00e9al, Triptyque, 133 p.<\/p>\n<h2>2004<\/h2>\n<p><em>Foss\u00e9s d&#8217;amour et d&#8217;insomnies<\/em>, Montr\u00e9al, Trait d&#8217;Union, 196 p. (photog. de l&#8217;auteur)<\/p>\n<h2>2000<\/h2>\n<p><em>Carnet du Bombyx, Chimera in vacuo bombinans<\/em>, Montr\u00e9al, l\u2019Hexagone, 207 p.<\/p>\n<h2>1998<\/h2>\n<p><em>Le\u00e7ons d\u2019Orage<\/em>, Montr\u00e9al, l\u2019Hexagone, coll. \u00ab\u00a0Po\u00e9sies\u00a0\u00bb, 154 p.<\/p>\n<h1>Livres d&#8217;artiste<\/h1>\n<h2>2015<\/h2>\n<p><em>Messages d&#8217;outre-nerfs<\/em>, dessins de\u00a0Louis-Pierre Bougie, \u00c9ditions INTERRITOIRES \/ Griffe d&#8217;acier, 2015, 32 p.<\/p>\n<h2>2001<\/h2>\n<p><em>La Trame du temps<\/em>, gravures de\u00a0Claire Cloutier\u00a0Montr\u00e9al et Hull, np. BNQ|RES\/CA\/452.<\/p>\n<h2>1992<\/h2>\n<p><em>Les derniers outrages du ciel\u00a0<\/em>, gravures de\u00a0Louis-Pierre Bougie, Montr\u00e9al, Griffe d\u2019acier, np. BNQ|RES\/CB\/210.<\/p>\n<h2>1987<\/h2>\n<p><em>Forger l\u2019effroi<\/em>, avec un liminaire de\u00a0Gaston Miron, gravures de\u00a0Louis-Pierre Bougie, Montr\u00e9al, Griffe d\u2019acier, np. BNQ|RES\/CC\/160.<\/p>\n<h2>1983<\/h2>\n<p><em>Le Prince sans rire<\/em>, avec un \u00ab\u00a0Apr\u00e8s-dire\u00a0\u00bb de\u00a0Gaston Miron, gravures de\u00a0Louis-Pierre Bougie, Montr\u00e9al et Paris, \u00c9ditions Lui-m\u00eame, np. BNQ|RES\/CA\/216.<\/p>\n<h2>1980<\/h2>\n<p><em>D\u2019\u00eeles et d\u2019ailes<\/em>, avec\u00a0Leonard Cohen, Claude Haeffely,\u00a0Jacques Renaud, gravures de\u00a0Kittie Bruneau, Montr\u00e9al, \u00c9ditions de la Marotte. np. BNQ|CA\/137 RES.<\/p>\n<h2>1975<\/h2>\n<p><em>Une Inquisitoriale<\/em>, pr\u00e9face de\u00a0Fran\u00e7oise Bujold\u00a0\u00ab\u00a0Notre dialecte de bataille\u00a0\u00bb, gravures de l&#8217;auteur, Montr\u00e9al, Pierre Guillaume Imprimeur, n.p. BNQ|RES\/CB\/28.<\/p>\n<h2>1974<\/h2>\n<p><em>Entre chien et loup<\/em>, gravures de\u00a0Kittie Bruneau, Montr\u00e9al, La Guilde Graphique, 9 pl. BNQ|RES\/CA\/38; SIGIRD| 02-1143038.<\/p>\n<h2>1973<\/h2>\n<p><em>La Clef de l&#8217;envers<\/em>, gravures de\u00a0Kittie Bruneau, Montr\u00e9al, \u00c9ditions de la Marotte, n.p. BNQ|RES\/CE\/19.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roman 2011 De Kooning malgr\u00e9 lui. Montauk ~ Cassino, Montr\u00e9al, Triptyque, 279 p. Proses 2019 Naturalit\u00e9s. Po\u00e9sie et photographies dans le Luberon, \u00c9ditions Interritoires, 2019, 58 p. Une \u00e9pine empourpr\u00e9e, r\u00e9cit, Montr\u00e9al, Triptyque, coll. \u00ab\u00a0t minuscule\u00a0\u00bb, 2019, 158 p. 2014 \u00c9pisodies \u00e0 l&#8217;H\u00f4tel du temps, Chicoutimi, \u00c9ditions La Peuplade, coll. \u00ab\u00a0Micror\u00e9cits\u00a0\u00bb, 2014, 262 p. La &hellip; <a href=\"https:\/\/portfolio.uqac.ca\/michaellachance\/livres-creation\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Livres &#8211; Cr\u00e9ation<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":256,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"_links":{"self":[{"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/pages\/212"}],"collection":[{"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/users\/256"}],"replies":[{"embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/comments?post=212"}],"version-history":[{"count":3,"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/pages\/212\/revisions"}],"predecessor-version":[{"id":215,"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/pages\/212\/revisions\/215"}],"wp:attachment":[{"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/media?parent=212"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/michaellachance\/wp-json\/wp\/v2\/tags?post=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}