{"id":25,"date":"2018-01-15T15:36:03","date_gmt":"2018-01-15T20:36:03","guid":{"rendered":"http:\/\/portfolio-pre.uqac.ca\/gabarit\/?page_id=25"},"modified":"2026-01-22T14:14:19","modified_gmt":"2026-01-22T19:14:19","slug":"communications","status":"publish","type":"page","link":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/communications\/","title":{"rendered":"Publications"},"content":{"rendered":"<h2>Articles<\/h2>\n<p>&nbsp;<\/p>\n<p><strong>Chapitre de livre :\u00a0<\/strong><\/p>\n<ul>\n<li><em>The Architecture as Instrument: Fulldome Visual Music Experiments at the Society for Arts &amp; Technology (SAT) in.\u00a0<\/em>Audio-Visualism:\u00a0Reframing\u00a0Relationships Between Sound &amp; Image. Routledge (2026).<em>&#8220;Le dispositif de diffusion comme instrument g\u00e9n\u00e9rateur d\u2019exp\u00e9riences immersives&#8221; in:\u00a0Larrue, J. M., Pisano, G., &amp; Qu\u00e9innec, J. P. (2019). Dispositifs sonores: corps, sc\u00e8nes, atmosph\u00e8res. Presses de l&#8217;Universit\u00e9 de Montr\u00e9al.<\/em><br \/>\nPresses Universitaires de l\u2019Universit\u00e9 de Montr\u00e9al<br \/>\n<a href=\"https:\/\/pum.umontreal.ca\/catalogue\/dispositifs-sonores\">https:\/\/pum.umontreal.ca\/catalogue\/dispositifs-sonores<\/a><\/li>\n<\/ul>\n<p><strong>Article:<\/strong><\/p>\n<ul>\n<li>Breuleux, Y. (2019). Le paradoxe de l&#8217;immersion sensorielle -\u00c9tudes digitales.<br \/>\n\u00c9tudes digitales : Classique Garnier<br \/>\n<a href=\"https:\/\/classiques-garnier.com\/etudes-digitales-2017-2-n-4-immersion-en.html\">https:\/\/classiques-garnier.com\/etudes-digitales-2017-2-n-4-immersion-en.html<\/a><\/li>\n<\/ul>\n<p><strong>Articles de communication avec revue par les pairs<\/strong><\/p>\n<ul>\n<li>Breuleux Y. (2025).\u00a0<em>Mati\u00e8re Premi\u00e8re\/ Raw Material: Reimagining the Self as an Environment in Extended Reality (XR)<\/em>. ISEA 2025, S\u00e9oul, Cor\u00e9e du Sud.<\/li>\n<li>Breuleux Y.,Thibault. A. et Lapierre, R. (2023).\u00a0<em>The Enigma A\/V performance &amp; the concept of Agnostic Media Environment (AME)<\/em>. ISEA 2023, Paris, France. [Proceeding, mars 2024], paper 460.<\/li>\n<li>Bilodeau, M. Gagnon, G. Breuleux, Y. (2021).\u00a0<em>NUAGE: A Digital Live Audiovisual Arts\u00a0<\/em><em>Tangible Interface<\/em>, ISEA 2021, Barcelone, Espagne.<\/li>\n<li>ISEA2019 Gwangju, South Korea<br \/>\n<em>&#8220;The Piano-of-Lights: a visual-music instrument for FullDome display.&#8221;<br \/>\n<\/em>Yan Breuleux, R\u00e9mi Lapierre<br \/>\n<a href=\"https:\/\/www.isea-archives.org\/docs\/2019\/ISEA2019_Proceedings.pdf\">[Proceedings]<\/a>\u00a0paper 401<\/li>\n<\/ul>\n<p><strong>Poster<\/strong><\/p>\n<ul>\n<li>ISEA2019 Gwangju, South Korea<br \/>\n&#8220;<em>Mapping_Me : a shared virtual environment of media archives controlled by a tangible interface.<\/em>&#8221;<br \/>\nYan Breuleux, James Partaik (as equal co-authors), Re\u0301mi Lapierre<br \/>\n<a href=\"https:\/\/www.isea-archives.org\/docs\/2019\/ISEA2019_Proceedings.pdf\">[Proceedings]<\/a>\u00a0paper 572<\/li>\n<\/ul>\n<h2>Actes de colloque<\/h2>\n<p>&nbsp;<\/p>\n<p><strong>Keynote speaker et article<\/strong><\/p>\n<ul>\n<li>Breuleux, Yan, Bruno de Coninck, and Simon Therrien. &#8220;The World Building Framework for Immersive Storytelling Projects.&#8221; In SHS Web of Conferences, vol. 64, p. 00003. EDP Sciences, 2019.\u00a0<a href=\"https:\/\/eaea14.sciencesconf.org\/\">https:\/\/eaea14.sciencesconf.org\/<\/a><\/li>\n<\/ul>\n<p><strong>Article<\/strong><\/p>\n<ul>\n<li>\u00ab The Language of A\/V Spatialisation\u00bb. UVM Understand Visual Music, juin 2015<\/li>\n<\/ul>\n<h2>Communications<\/h2>\n<ul>\n<li><em>Breuleux, Mati\u00e8re Premi\u00e8re\/ Raw Material: Reimagining the Self as an Environment in Extended Reality (XR), 30th International Symposium on Electronic\/Emerging Art Seoul, Republic of Korea, 27\/05\/2025<\/em><\/li>\n<li><em>Breuleux, Y, R\u00e9mi Lapierre. &#8220;Case-studies of FullDome Storytelling projects&#8221;.<\/em><a href=\"https:\/\/2019.touchdesignersummit.com\/talks\/case-studies-of-fulldome-storytelling-projects\">Touch Designer Summit , Montr\u00e9al<\/a>:<br \/>\n19\/08\/2019<\/li>\n<li>Breuleux, Y. \u00ab Narrativit\u00e9 immersive pour Vr et FullDome \u00bb Art &amp; Technologie. Effects Mtl, 2017.\u00a0\u00a0Palais des congr\u00e8s de Montr\u00e9al.<br \/>\n07\/09\/2017<\/li>\n<li>Breuleux, Y. \u00ab Le paradoxe de l\u2019immersion \u00bb . International Society for Intermedial Studies &#8220;Authentic Artifice&#8221;. Universite\u0301 de Montre\u0301al 18-20\/05\/2017<\/li>\n<li>Breuleux, Y. \u00abLes promesses de la re\u0301alite\u0301 virtuelle. \u00abLa VR, buzz, bluff ou bijou?\u00bb, Complex Desjardins Seront pre\u0301sents William Urrichio de l\u2019Open Doc Lab du MIT, Harold Goldberg du NY Times, Charles Huteau d&#8217;Ubisoft. FNC eXPlore, 13\/10\/2016<\/li>\n<li>Breuleux, Y. \u00ab<em>FausTechnology<\/em> : la se\u0301duction de l\u2019immersion audiovisuelle\u00bb.\u00a0 ACFAS. Colloque 623 La relation de se\u0301duction : un lien biologique, moral, politique?<\/li>\n<li>Breuleux, Y.\u00a0\u00ab La me\u0301thode de Pierre Scheaffer \u00bb , MAH, Me\u0301dia Art History, novembre 2015<\/li>\n<li>\u00ab The Language of A\/V Spatialisation\u00bb. UVM Understand Visual Music, juin 2015<\/li>\n<li>Breuleux, Y. \u00ab Projets immersifs \u00bb. Symposium iX. Socie\u0301te\u0301 des arts technologiques, mai 2015.<\/li>\n<li>Breuleux, Y. La lumie\u0300re virtuelle dans le domaine des arts nume\u0301riques, Les inventions de la lumie\u0300re Toronto \/ Montre\u0301al \/ Lille 2016 Une biennale d\u2019e\u0301changes artistiques \u2013 6e e\u0301dition, School of Image Arts Ryerson University, 24-26\/02\/2916<\/li>\n<li>Breuleux, Y. Confe\u0301rences sur la vide\u0301o immersive, SAT (Socie\u0301te\u0301 des Arts Technologiques). Montre\u0301al. 29\/04\/2013<\/li>\n<\/ul>\n<h2><strong>Pr\u00e9sentations d&#8217;artiste<\/strong><\/h2>\n<ul>\n<li>Breuleux, Y, Lapierre, R, Chennenou, S. ISEA2019 Gwangju, South Korea.\u00a0<em>&#8220;Living-sculptures : An Augmented Virtuality Environment (AVE) where users are transformed into movings sculptures.&#8221;<br \/>\n<\/em><\/li>\n<li>Breuleux, Y. AISLF (Association internationale des sociologues de langue fran\u00e7aise), Montr\u00e9al, Soci\u00e9t\u00e9 des Arts Technologiques. 5\/07\/2016<\/li>\n<li>Rencontres d\u2019artistes. Symposium iX, Soci\u00e9t\u00e9 des Arts Technologiques. 21 mai 2015<\/li>\n<li>Breuleux, Y. Mian (March\u00e9 International des arts num\u00e9riques), Londres, British Film Institute, (BFI). 14\/03\/2015<\/li>\n<li>Breuleux, Y. <em>Projets immersifs<\/em>. March\u00e9 international de l\u2019art num\u00e9rique (MIAN). Elektra, Palais des beaux-arts. Bruxelles. 28\/09\/2013.<\/li>\n<li>Breuleux, Y. Trudel, G., Tsabary, E., Wei, S.X. <em>Dissection<\/em>. Panel, DHC Art. Montr\u00e9al, 10\/2013<\/li>\n<\/ul>\n<h2>Activit\u00e9s d&#8217;animation scientifiques<\/h2>\n<ul>\n<li>Forum d\u2019orientation de la recherche sur la culture num\u00e9rique, ans le cadre du d\u00e9ploiement du Plan culturel num\u00e9rique du Qu\u00e9bec. Minist\u00e8re de la Culture et des Comminication. FQRSC sous la direction de Louise Poissant. Maison du d\u00e9velopement durable, 3 f\u00e9vrier 2016<\/li>\n<li><em>M\u00e9tamorphose<\/em>. Espaces pour la vie, Insectarium de la ville de Montr\u00e9al. Activit\u00e9 de co-design en collaboration avec des abonn\u00e9s de l\u2019Insectarium. R\u00e9alisation d\u2019une s\u00e9rie de prototypes explorant, en relation avec l\u2019immersion, les notions d\u2019\u00e9chelle et de grandeur des insectes en relation avec des \u00eatres humains.<\/li>\n<li><em>Exposition Exo<\/em>. Espaces pour la vie, Plan\u00e9tarium de Montr\u00e9al. Consultant technologique et designer d\u2019exp\u00e9rience pour la conception de l\u2019exposition permanente du Plan\u00e9tarium de Montr\u00e9al. Conception des installations interactives, r\u00e9daction des appels d\u2019offre, participation au sc\u00e9nario de l\u2019exposition.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Articles &nbsp; Chapitre de livre :\u00a0 The Architecture as Instrument: Fulldome Visual Music Experiments at the Society for Arts &amp; Technology (SAT) in.\u00a0Audio-Visualism:\u00a0Reframing\u00a0Relationships Between Sound &amp; Image. Routledge (2026).&#8220;Le dispositif de diffusion comme instrument g\u00e9n\u00e9rateur d\u2019exp\u00e9riences immersives&#8221; in:\u00a0Larrue, J. M., Pisano, G., &amp; Qu\u00e9innec, J. P. (2019). Dispositifs sonores: corps, sc\u00e8nes, atmosph\u00e8res. Presses de l&#8217;Universit\u00e9 &hellip; <a href=\"https:\/\/portfolio.uqac.ca\/yanbreuleux\/communications\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Publications<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":89,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[],"_links":{"self":[{"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/pages\/25"}],"collection":[{"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":22,"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":452,"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/pages\/25\/revisions\/452"}],"wp:attachment":[{"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/media?parent=25"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/portfolio.uqac.ca\/yanbreuleux\/wp-json\/wp\/v2\/tags?post=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}